The 1998 Roland Emmerich remake was almost universally slammed by critics because, well…it was shit.
It’s a matter of being honest to myself and my readers.Įarly in AICN history there was some controversy surrounding their coverage of Godzilla.
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Of course The Fate of the Furious is going to seem more fun after a couple of beers and a belly full of pizza, but I had to take the time to look at the movie for what it is. Early on I had to make a conscious effort to seperate out the experience from the film. It makes sense for publicists to do this – it puts everyone (reviewers and public) in a good mood for the movie. Drinks, popcorn, beer, pizza, cocktails and loot are fairly common. I get to go to premieres so I can review movies ahead of release and quite often there’s extra perks to go with this. Like Knowles I have garnered enough of an audience online to weasel my way onto most studios’ standard invite list. I’ll let you in on some behind the scenes info here. In short, AICN and Knowles, along with his crew of Quint, Capone and Moriarty, achieved a great deal of success and a large audience in a short amount of time. As such studios wanted Knowles on side, so he was invited to premieres, set visits and interviews with some unofficial premieres for major releases coming to Butt Numb-a-Thon. He was now seen as a major influence on audiences and box offices, the first critic from the internet to garner such a reputation. When director Joel Schumacher laid blame on the website for the film’s poor opening weekend it established Knowles as a critic with significant sway. This film is so bad, so awful, so vanity ridden with horrible over the top performances, that nothing I can say, can prepare you for it. When AICN attended an advance screening they followed it up with a brutally negative review. The 1997 film was definitely a dud, but this was an age where most viewers wouldn’t learn this until after it was released or they’d seen it for themselves. It was Batman and Robin that brought Knowles to the attention of the mainstream media. Rather than rely on press briefings Knowles would bring us news from the front lines. Knowles also built ties within the industry, socialising with Peter Jackson and Quentin Tarantino. Each year they’d host ‘Butt Numb-A-Thon’, a marathon of classic and new genre films held on or close to Knowles’ birthday. A community built around the site and Knowles and his crew developed a working relationship with the Alamo Drafthouse cinema. The attitude and interests of the writers mirrored that of the readers and the ability to leave comments and participate in discussion was relatively novel. …and it was the last time Travolta impacted on the internet.Īin’t It Cool News provided reviews, discussion and breaking news and before long attracted a large amount of traffic. His site, Ain’t It Cool News, was launched in 1996 and took it’s name from action schlock Broken Arrow. He was one of the very people he was writing for. He wasn’t here to analyse film, he was here to geek out. Knowles wasn’t a cinema snob, he wasn’t an academic – he loved movies and had spent his life absorbing them. Unlike the established critics such as Maltin, Siskel and Ebert he wasn’t coming at it from the perspective of the fan. He wasn’t the first person to start writing movie reviews online but he was the first of his kind.
One of the first big names of this early age of the internet was Harry Knowles. During those early years it was freeform, a disorganised landscape that webrings and Geocities couldn’t bring into line. Small groups of fans found each other to discuss Buffy the Vampire slayer, growing into larger communities, and creators such as Sir Terry Pratchett started to interact with their audiences. Finding indie producers was hard and finding people to share these hobbies with was even harder.
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News and information was available in monthly magazines and crappy TV shows like Entertainment Tonight. Being a geek in those days was a bit challenging, especially in Australia. The ‘Space Jam’ website as it appeared in the 199…wait, it still looks like this?!Īs an old bastard I remember the world before the internet.
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